Fan art or fanart is artwork created by fans of a work of fiction and derived from a series character or other aspect of that work. As fan labor, fan art refers to artworks that are neither created nor commissioned or endorsed by the creators of the work from which the fan art derives. Every character deserves it.
It deserves a fanart. pic.twitter.com/4DQxqAidbQ
— Marcelo Braga (@elbragon) April 28, 2021
Our boy Jason was never supposed to be the star. “It’s evident just a few minutes in to movies like Jason Lives and Jason X that Mr. Voorhees is the star of the show. Horror audiences aren’t so much rooting for the generally unlikable victims to survive as they are looking for increasingly thrilling and inventive kills. It’s a very specific type of cinematic escapism, to be sure. But originally, Friday the 13th was intended to be an anthology series. Each movie would have taken place, presumably, on Friday the 13th”.
10 Jason Voorhees Facts You Never Knew Until NowRYAN J. DOWNEY, MOVIEWEB.com
“But not only did Jason become the series star after his terrifying reemergence at the end of the first film, but the date in the title became something of a moot point. The first two movies take place on Friday the 13th, but Part III takes place the following day, Saturday the 14th (not to be confused with the 1981 horror comedy.) Part IV takes place on Sunday and Monday. After that, it seems like the series’ producers mostly abandoned the device. We did ultimately get a Friday the 13th anthology series on television. Unlike the anthology series Freddy’s Nightmares, which featured Freddy as host and occasional star, 1987’s Friday the 13th: The Series was Jason free. I mean the dude doesn’t talk”.
Wish I knew who was behind the mask for this pic. Horror fans will totally get this. Monsters have hearts too.DREW EDWARDS, @HalloweenMancom
Seu Amadeu criou o HOMEM-TELEFONIA e muitos outros personagens, quadrinhos e cartuns quando era um garotinho juvenil em Portugal, entre 1948 e 1950. Há dois anos ele é vizinho do renomado artista plástico, ilustrador e ator, Weberson Santiago. Outro dia dividiu seu trabalho de menino com Weberson que, impressionado e violando a natural confidencialidade do momento, mostrou pra gente, eu, @venegrunge e o @rentz.
Todos nós que desenhamos desde pequenos reconhecemos aquela pastinha com os papéis amarelados, cheios de quadrinhos grampeados e um milhão de personagens pintados com lápis e canetinha que a mãe guardou com a data atrás. Tudo, claro, assinado com letra de mão bonita de Amadeu Filipe Dias Montinho. Era exatamente assim o material que a gente recebeu pelo WhatsApp, como uma curiosidade entre amigos.
Mas enquanto os nossos primeiros desenhos ecoavam os anos oitenta, essa leva de inspiração vinha lá do final da década de quarenta, comecinho de cinquenta. É um pouco estranho pra mim porque em 1948 nem o meu pai tinha nascido ainda. E o mais legal era a variedade de personagens, idéias e assuntos. Era um lance tão bacana que foi impossível resistir ao impulso de participar daquele universo, o AMADEUVERSE.
A gente sua a camisa pra criar um personagem icônico, que tenha uma silhueta única e que com poucas cores e detalhes transmita tudo aquilo que a gente quer e vem esse menino fazendo tudo parecer tão fácil setenta anos atrás. Os cartuns tinham piadas realmente engraçadas, os personagens eram originais e os quadrinhos do Capitão Marvel tinham tudo a ver com a Era de Ouro.
Acho que no mesmo dia eu já mandei um sketch do meu preferido, o HOMEM-TELEFONIA. Dias depois fui humilhado pelo salafrário do Rentz, que já mandou formatadinho, com legenda e exalando profissionalismo. Depois veio o Venê, com ângulos ousados e o Weberson fez a capa da revista, então eu tive que voltar atrás e dar um outro tapa na minha ilustra pra ficar pelo menos apresentável. Tentei deixar com uma pegada meio John Wayne, aquela cara de véio dos heróis daquela época, como se tivesse passando no cinema.
Enviamos nossas fanarts ao nosso amigo celebridade internacional radicado em Portugal, que imprimiu tudo (mas não refilou) e entregou ao jovem talento da porta ao lado. Tardia, mas merecidíssima homenagem.
Alguns desenhos do Seu Amadeu estão no Instagram do @weberson83, junto com seu tributo ao lado de Enrique Santiago, de quem ainda falaremos muito #AmadeuGO
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Believe me, he isn’t even in jail. See, these are not jail bars, they are just two poles where this insane space green monkey plans his next criminal act. A bandit, an intergalactic villain always ready to make trouble to the lawmen of space. He was born from a small exploration of Photoshop brushes years ago and was forgotten in some layer of my backuped files. Now he finally sees the light so that this blog can stay alive for another day. So, is he really a villain or a hero?
The incredible graphic designer best known for his design of motion-picture title sequences, film posters, and corporate logos. During his 40-year career, Saul Bass worked for some of Hollywood’s most prominent filmmakers, including Alfred Hitchcock, Stanley Kubrick and Martin Scorsese. Among his most famous title sequences are the animated paper cut-out of a heroin addict’s arm for Preminger’s The Man with the Golden Arm, the credits racing up and down what eventually becomes a high-angle shot of a skyscraper in Hitchcock’s North by Northwest, and the disjointed text that races together and apart in Psycho. He had the awesomest signature ever always along with his super cool stamp of a caricature of his own face on a sea bass body.
Don’t be afraid to ask questions, young man, this is how you get to places – asking. The answers are not always what you expect, and this is very good, especially if you ask them for our little Absinthe Devil, with his tailored suit and his smartass face. He’s good with words and most of the time you almost believe that he is your friend and not acting completely in his own interests. Almost, I said. He lives inside your head and appears when you most need a friend or a decent company. The good part is that you are not left without an answer, if he doesn’t know, he’ll make it up and from then on it’s up to you. So go ahead, ask, don’t be polite and always, always trust alcohol.
John James Rambo first appeared in the 1972 novel First Blood by David Morrell, but later became more famous as the protagonist of the film series, in which he was played by Sylvester Stallone. The portrayal of the character earned Stallone widespread acclaim and recognition. The character was nominated for American Film Institute’s list 100 Years…100 Heroes and Villains. The term “Rambo” is used commonly to describe a person who is reckless, disregards orders, uses violence to solve problems, enters dangerous situations alone, and is exceptionally tough, callous, raw and aggressive. Morrell says that in choosing the name Rambo he was inspired by “the sound of force” in the name of Rambo apples, which he encountered in Pennsylvania.
Godzilla ゴジラ is a fictional monster, or kaiju, originating from a series of Japanese films of the same name. The character first appeared in Ishirō Honda’s 1954 film Godzilla and became a worldwide pop culture icon, appearing in various media, including 32 films produced by Toho, three Hollywood films and numerous video games, novels, comic books and television shows. Godzilla has been dubbed the King of the Monsters, a phrase first used in Godzilla, King of the Monsters!, the Americanized version of the original film. Godzilla is depicted as an enormous, destructive, prehistoric sea monster awakened and empowered by nuclear radiation. With the nuclear bombings of Hiroshima and Nagasaki and the Lucky Dragon 5 incident still fresh in the Japanese consciousness, Godzilla was conceived as a metaphor for nuclear weapons.
